Archived posting to the Leica Users Group, 2000/05/17
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Brian, I'm not married myself (never have been, no current prospects :-< ), but I have been to a couple friend's weddings, mostly very informal here in Las Vegas. But I have other friends and acquaintances that show of the hugh wedding album of photos. Even after viewing possibly hundreds of photos, this is the first time I can say I understand the concepts. Your concise explanation was much appeciated! Les Bonser Writer and Photographer http://home.att.net/~photodoglv (Home of the PhotoDog!) > ------------------------------ > > Date: Wed, 17 May 2000 08:40:50 -0700 > From: Brian Reid <reid@mejac.palo-alto.ca.us> > Subject: Re: [Leica] Wedding photography > Message-ID: <200005171540.IAA06115@riverside.haddockseyes.com> > References: > > Most of the photography that I do is portaiture, either formal or > informal. I've done a lot of weddings, though none in the last 20 years. > > Here is my perspective on the posed vs unposed issue. > > Weddings are complex symbolic events. If all you want to do is become > married, you can do this in a courthouse with one witness. If you have > a wedding ceremony and party, it has social and symbolic purposes as > well as legal purposes. > > One of the symbolic purposes of weddings, especially church weddings, > is that they are cultural links to the past and future. It's not just > that someone is getting married, it's that they are getting married > using an ancient ceremony that their ancestors used, and that their > desendants will use. It's part of the link to their cultural identity. > It ritually joins the couple not just to each other, in a vacuum, but > to the larger context of the society in which they will be living. > > Posed wedding pictures are part of the tradition, no less so than the > flowers, the clothing, the music, the spoken words, the rings, and the > cake. It's not just that the pictures are posed; there are traditional > poses. When I ask the bride and groom to pose with their mothers for > Traditional Shot #5, "Bride and Groom and Their Mothers", I am not just > asking them to pose. I am asking them to show the world, by their > willingness to participate in this ritual, that they subscribe to the > traditions of the culture in which they are getting married. There is a > clear hierarchy of ten posed pictures for the wedding day itself: > #1: The bride in her dress, without veil > #2: The bride and groom in their formal clothing > #3: The bride and groom and their witnesses > #4: The bride and groom and their witnesses and attendants > #5: The bride and groom and their mothers > #6: The bride and groom and their fathers > #7: The bride and groom and their parents > #8: The bride and groom and the groom's entire family > #9: The bride and groom and the bride's entire family > #10: The entire collection of people in one big picture > In some religious ceremonies we add #2a: The bride and groom and the > religious leader who married them. Then after these 10 or 11 ritual > pictures, which are as much a part of the tradition as the exchange of > rings, various people and family members can take advantage of the > photographer's being there by posing for other shots. > > Some people choose to get married without subscribing to the tradition. > That's fine. It's not for me, but it's fine for them if that's what > they want. The posed formal pictures are just part of that tradition. > > Brian Reid > > ------------------------------