Archived posting to the Leica Users Group, 2000/04/18
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Donal, > But occasionally doing personal work for stock or a project, I get > beyond the making and into the witnessing and have on a few rare > instances feel I have channeled a moment of reality onto film that > bypasses me, or better, throughpasses me transparently--and that is the > most rewarding of all, personally, and perhaps gives others a glimpse of > a reality they hadn't known before. Well stated. I am drawn to photography (and to the Leica M as a tool) for just this reason. For me, it is a medium of attention, and attention is transparent and entirely impersonal. In fact, it has no boundaries, no interest, no judgment and no pre-conceptions. It is immediate and stark, open to all possibilities, and so has room for everything. Photography, like life (as it is lived in the moment), is just another word for discovery. > The Nachwey book--like the Salgado books--are not about photography, but > about history and politics at one level, and on another, the intimate > personal experience of the moment. Yes, and isn't it true that the most intimate personal moments are (paradoxically) universal and impersonal? I find that the more "I" get out of the way, the more I _see_, the more reality shines through as it is. This is the decisive moment--at one level political and historical, at a deeper level, unbounded and timeless. Dan