Archived posting to the Leica Users Group, 2000/04/07
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Rich Lahrson wrote: > > Ed Buziak wrote: > > BTW: Did you know that Ron Wisner (of Wisner Cameras) is trying to establish > > a user base for the old Kodak XX sheet film so that he can negotiate with > > Kodak on its reintroduction... continuing exciting times for traditional > > monochrome workers I think. > > Hi Ed! > > Super-XX was great. I had an 8x10 and thought AA was GOD. I could > develop Super-XX to N + 5 in D - 23 (Metol and sodium sulfite) for about > an hour in a tray at 73 degrees. The film could be greatly contracted > developed as well. AA said it was 'the last of the silver rich emulsions'. > It had the longest straight line portion of the D log E curve and was > used for making black and white separation negatives from color materials > to be used in now discontinued processes like Dye Transfer and Tricolor > Carbro, both which had the highest light exposure stability. > > BTW, I still use D - 23 for 35mm and roll film. Super-XX was sheet > film only, but it might have been available in rolls or 35mm early on. > > Cheers, > > Rich Lahrson \ tripspud@wenet.net I recall Super xx was available in 35 mm in the early fifties just before the advent of tri-x, naturally. I even used some, but I was just a callow youth of 14 at the time so I don't remember much about it. I do recall that the introduction of tri-x then rated a asa 200 blew away the contemporary competition along with super xx in 35 mm John Shick