Archived posting to the Leica Users Group, 2000/03/26
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]If you have a group of local Leica users, be *very* careful about going shopping with them because none of 'em are there to knock some sense into you! The expressions "What would you want with that?" or "Why is that thing so expensive?" are seldom, if ever, heard. So it was at the other week's Denver Camerarama where I found myself looking at a nice Hasselblad SWC with entirely too much interest--now THERE'S a classy point 'n shoot! In the end, it was thoughts of eating peanut butter sandwiches (for more months than I care to admit) over the kitchen sink that made me put it back down. It *would* be nice to have a dining table someday; makes a good place for sorting negatives. Denver LUG members missed the chance to buy a minty boxed set of M4-P and 50 Summicron for a really nice price--gotta walk through the Camerarama wearing "I pay cash for Leica" tshirts, I think! M6 "classic" and Hasselblad prices were good and so were older Canon RFs with some IIIc-lookalike outfits going for around $250. Nikon RF was another matter entirely, and an asking price of just under $800 seemed awfully high for a worn-looking S rangefinder body I had hoped to check out and price a Nikon SP but there were none to be had this time around. Yesterday I spent a warm spring afternoon in lower downtown Denver ("LoDo") photographing brick buildings, fire escapes, water towers and railroad bridges and in general, enjoying the wonderful afternoon light which really makes the brownstones glow and does magic with the textures. You can't feel glum when you're there with a Leica! I'll see about posting entire contact sheets online at some point. The 90mm Summicron is the lens I use most often here and I enjoy isolating a composition of a few windows or maybe a lamppost. Here, I appreciate the fact that it lets me step back from my subject and it reduces the parallel convergences I get with shorter focal lengths. Next comes the 50/2.8 Elmar-M which I find very comfortable though I might replace it with the current Summicron at some point because I never take advantage of the collapseable barrel. The 15mm Heliar is a challenge to use here as it's mercilessly revealing of bad camera positioning, dull skies and foregrounds. But I toyed about with it and shot some cityscapes from the bridges making no effort at all to control distortions--if it looked neat, I'd shoot. Normally, I use this lens in closer quarters but I'll see what happens when I get in closer and let the perspective run wild. The 35mm Summicron #2484xxx continues to bring up the rear as my least-used lens but that's really more a matter of preference on my part rather than any complaint about the optics. The focal length is great for candid street photos (nicely scaled for people shots) but feels like an odd in-between size for urban landscapes. I'll probably use this as my default lens for awhile to see how I can make it work better. It's still a little early to catch the spring colors here and there are few flowering cherry or plum trees in the area, but it's a fine time for cityscapes! - -- Jeff Segawa Somewhere in Boulder, Colorado