Archived posting to the Leica Users Group, 2000/03/11
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]>>If a lot of advertising and product photography (probably the most technically demanding types of photography) are already shot on rather primitive digital backs and everyone is already happy with that, how are the expense and rarity of emulsions going to stand up to that in ten years from now. I don't know if this will help assuage anyones worries, but in advert./product photography(which is what I do), film still dominates. Catalog work is where digital capture has made it's greatest inroads, due to the fact that there is the need for a great number of images and they are relatively small. Advertising agencies still prefer film for it's versatility, they might need it for a small reproduction now, but like to know they can go to billboard size from the same piece of film. Speed, needing it right now, comes up occasionally but the extra turnaround of film is rarely an issue. The photo shoot is often the quickest part of the production chain. Often times art directors are looking for a certain "look", not necessarily speed. I don't know if this holds for everyone everywhere, but in working w/ major agencies w/ major accounts this seems to be the norm for now. Mark Rutledge markrut@ticnet.com