Archived posting to the Leica Users Group, 2000/03/06
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Doug, >>The big question for any prospective Nocti purchaser is whether that extra stop is worth the expense, bulk, and weight. My 50mm f1.5 Jupiter is a fraction of the weight of the bigger lens, and was 1/30 of the cost. I shoot slides, so don't have the range of high speed emulsions available to the colour negative user. Otherwise, I'd have loaded a second body with faster film, relied on the Jupiter, and saved myself lots of money.<< Quite frankly, I think that size and weight are bigger issues than the cost. I compared a Noct to my 50/1.4 Summilux. I'd have to get a new camera bag. Now that I've decided on the 35/1.4 ASPH my next big decision is whether or not to sell my 50/1.4 Summilux M and/or my 35/2 Summicron (last pre-ASPH version). I definately plan to carry my 50/2 Summicron more often. I have an older 50/2 DR. I hadn't used it much since I bought my Summilux 18-months ago.I almost sold the 50/2, but decided against it because it's my last "classic" lens. Further, it holds it's own against the latest stuff, though the most recent 50/2 is a gem. I had lunch today with Lugger Mark Rabiner. He showed me some recent work, that he shot in studio and on location, with a newish 50/2 Summicron. Absolutely incredible portraits (mostly b/w but some color). Mark is an excellent b/w printer. BTW, if he ever shows you square images with notches do not be deceived. They could be Hassleblad photographs, or they could be 50/2 Summicron photographs printed with a Hassleblad border mask he created. I couldn't tell the difference, even in 13X13 enlargements. Delta 100 shot with Leica glass and developed in Xtol 1:3 is so sharp it almost makes your eyes bleed. Even the Delta 400 looked great -- albeit grain was noticable in the larger prints. Somebody said that Delta and Xtol isn't a good combination. Mark sure makes it work. David