Archived posting to the Leica Users Group, 2000/02/27
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Mike Johnston wrote: ><Snip> > Kip, > The idea that you should use a longer-than-normal focal length for any > format is an old wives' tale.* It hasn't been remotely valid for thirty > years or more, and certainly isn't today. The best performance will > almost always be achieved with a lens designed for the format you're > enlarging. Stick to 50mm lenses for 35mm. > > It's also worth noting that virtually no "wide angle" lens for 35mm > format tests as well as similar lenses of 50mm focal length. This > includes the 45mm Schneider and the 40mm Leitz. > > --Mike > > * Figure of speech only. No slur intended against old wives or any of > the gentlemen married to them. Fred Picker taught his popular cult the necessary advantages of going up one format on enlarging lenses but I never got his book or bought his print of the white picket fence. I'm not a follower period. He would push the Schneiders 90's on his unsuspecting 35mm worshipers and I'm sure they did more than OK with them. My first enlarger that I did any real work with was a Beseler 5x7 coldlight. The motorized head would not go low enough to use my dirty 50mm Componon for my 6x9 full frame black border images I would always made on 8x10 paper. (and still do) A 6 x enlargement roughly. So I used a 75 mm Componar then an 85 Nikor for most of my work. Then I got a D2 with a cold light and a 50 2.8 Nikkor but my 4 bladed Saunders easel would almost hit my enlarging lens every time I opened it and I would get a crick in my neck in the whole printing process. Advil in advance! I tested my 50 against my 80 on a neg making matched prints but the only difference was my neck. I agree the "wide angle" enlarging lenes are a problem and the reason being corner quality but corner quality could also be an issue with a 50 even a high end 50. And that for some people like the Pickerites could be why they would use and 80 or a 90. But I could not tell much of a difference as I said with my 50 against my 80. But I stop down one and I'm at f8 that kind of bums me out!!! And Fred Picker ain't no old wife and neither am I!!! I don't think there is a resolution problem as I could see none with in my prints (using various magnifiers closely inspecting the grain). I think grain magnifiers are deceptive in what they tell you I always decide from the grain in a dried print. So there!! Mark Rabiner I make 7x7" images on 8x10 paper from medium format squre negs with my 135 Nikkor! What a deal! Same money on Chiropractic work!