Archived posting to the Leica Users Group, 2000/02/20
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]John: This was interesting. Please let me know how you agitated. I just tried a commercially packaged divided developer (Emofin from Tetenal) and I was not pleased with the result I got when using it with HP5. With HP5 I clearly prefer Rodinal 1+25. It has that extra 'bite'. Contrary to you, I liked the results with thin emulsion film which in my case was Delta 100. I will continue to use Xtol 1+1 when I know that the whole film is evenly exposed, but I will use the two bath developer in what you call 'challenging light situations'. If I want that extra 'bite', then it is Rodinal, but Rodinal is one stop slower than Xtol 1+1 with Delta 100. And the divided devloper seems to get even more real or effective speed out of Delta 100 than does Xtol 1+1 Before shooting real life situations I shot series of grey cards and measured the negatives with a densiometer. The curve for Delta 100 was very close to my ideal curve, and the nominal speed was the true speed which means that I will shoot at 200. For that test I used the 3 second agitation method (invert the tank, wait 3 secs, then invert again etc etc). For the real life shots I decided to agitate 10 secs every minute and I increased the development times as per the instructions or from 3 to 5 mins. I gave the tank a good shake, then inverted it four times, changing the direction by 90° for each inversion. All this takes 10 secs and I did it once a minute. The film came out very dense, so thus my question above re agitation. Have you found tha agitation has a great effect on film over/underdevelopment (i.e. density)? I'll try you method, and in the meantime would you please send me the details you offered in your message >Some of you may know of my fondness for pseudo-divided D76. For those of you >who don't, it's a bastardised version of properly divided D76, or D76-D. In >this and most divided developers, the first bath is the developing agent, >the second the alkali (accelerator). > >Pseudo-divided D76 uses straight D76 stock as the first bath, followed by an >alkali (typically 1.5% sodium metaborate or 'Kodalk', though some people >swear by borax). The effect is very similar, except the negs are a bit >snappier, which is a good thing in my experience. > >I won't go into the advantages here, but they are legion -- especially for >street photography or 'challenging' lighting situations where a whole roll >of 35mm film is exposed under different conditions -- and I will fill anyone >in who's interested by private email (I posted a long description to the LUG >about this about six months ago). > >This was my standard process until I went over to Xtol. It doesn't work with >thin-emulsion films, so Tri-X is kind of mandatory. Results with TMY in >particular are horrible. > >For a long while I've wondered what would happen if Xtol, which is a great >developer, was pseudo-divided, so today I tried the following, all @ 68F. I >don't know anyone else who has tried this... maybe I'm the first. Anyway: > >Xtol stock 3' >Kodalk 1.5% 3' (transferred without rinsing) > >stop/fix as normal > >I exposed a couple of rolls of Tri-X @ every EI from 100 to 1600, and dunked >them as above. > >I kind of thought it couldn't possibly work, but it does. In fact it works >perfectly. Gives me an EI somewhere between 400-600, which is about what I >get from Xtol anyway. But all the negs from 100-1600 were printable, with >*no* blocked highlights. Gradation in both highlights and shadows looks good >and grain is what you would expect from Xtol stock (very fine). > >There is probably some slight sacrifice of sharpness, but I'd say it's a >fair exchange for the very marked compensating effect and printability. > >Maybe someone else would like to try this and give their comments? > > >-- >John Brownlow > > photos: http://www.pinkheadedbug.com > music: http://www.jukebox.demon.co.uk