Archived posting to the Leica Users Group, 2000/02/15
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Sorry to hear of Nathan's take on Wm. Eggleston, I felt the same way when I first viewed W. E.'s work. I now regard him as the photographer who opened my eyes to so many possibilities, I continue to exhibit and show work and have been doing so for 15 + years because of the lessons I learned from Eggleston. In (sorry) Art school we were shown 'The Guide', at first I couldn't believe that this jumble of "snap" shots actually made it into the MOMA. I couldn't understand the man who introduced Frielander, Winograd, Arbus etc. (Szcarkowski) was now holding up 'this guy' as the new poster boy for what is in. Considerable exhibition space was given and Eggleston's Guide (even if you hate the pictures) is an example of book making at its finest. I spent the next year or so trying to see what critic after critic, publisher after publisher (at one time there were 4 Eggleston monographs in my book store) was seeing that I wasn't. It was only after I asked the question " what could have possesed 'this guy' to take these pictures?" that I started to see his brilliance. Try and put your self in the mind of the photographer, I have found this to be an important clue to understanding contemporary 'Art" photography. The following comes from Joel M. but helps when I look at Wm. E. -" Occasionaly I will see a pretty girl, our eyes will meet, perhaps she is in a passing car, there is no chance of meeting her, but for one brief second there is a spark between us- it's this spark I try to photograph." "I am at war with the obvious"- Wm. Eggleston.