Archived posting to the Leica Users Group, 2000/02/14
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Although I'm the first to admit that Tri-X is the "mother of all films", I broke ranks recently and tried some XP-2 Plus. I was apprehensive at first. I tried XP1 a long time ago and wasn't impressed. But, I wondered if the newer chromogenic films were a more capable match for Leica glass. My very preliminary analysis (dozen rolls) says that it is. Further, I was perusing the Kodak web site over the weekend and I saw the following in the T400 CN Q& A section: ""How good is the image structure of T400 CN film? Exposed at EI 400, the grain and sharpness are noticeably better than those of most traditional 100-speed black-and-white films." My first reaction was "noticiably better sharpness and grain than Delta 100?!!!!!" Then again, Delta 100 probably isn't a "traditional" film. Still, that bold statement indicates T400 CN is worth a closer look. I'm a sucker for clever marketing.... ...and economy.... I can get C-41 processing done for $1.50/ roll. That's about what it costs for me to do my own b/w processing -- and much less once time is factored in. I'm also scanning most of my film and I had good luck with XP-2 Plus in that regard. Does anyone have any opinions regarding XP-2 Plus vs T400 CN; or either versus conventional films?. To bring this a little closer to topic I'll add that I'm particulary interested in how chromogenic films handle wide ranging contrast. I often find myself, when using Leica M, shooting a partial roll in daylight, and finishing the roll in low contrast situations. I've also heard that chromogenic films have great exposure latitude, to the point you can shoot at 100 - 1,600 on the same roll. Is that true, and if so what's the downside? Thanks David