Archived posting to the Leica Users Group, 2000/02/13
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]In a message dated 2/13/00 9:29:21 AM Pacific Standard Time, roland@dnai.com writes: << Subj: Re: [Leica] Leica Users digest V15 #46 Date: 2/13/00 9:29:21 AM Pacific Standard Time From: roland@dnai.com (Roland Smith) Sender: owner-leica-users@mejac.palo-alto.ca.us Reply-to: <A HREF="mailto:leica-users@mejac.palo-alto.ca.us">leica-users@mej ac.palo-alto.ca.us</A> To: leica-users@mejac.palo-alto.ca.us Hello Tom: How would you rate the Canon 35mm f1.5 that was made for the Canon 7s in LTM? Roland Smith >> Roland, I had a 35/15 Canon for a while. It was at its time a good lens, but by todays standard it is not that great. Very sensitive to flare and soft wide open. It has become a "collectible" lens now and is evidently worth a fair bit of money. The best Canon 35 was undoubtedly the 35/2. It is close too or equal to the 2/3 generation 35/2 Summicron. I have one of these and if I don't "code" the film I cant tell the difference between the Canon and the Summicron! Wide open the Canon is slightly softer, but by the time you hit f4 they are equal. The 35/1,4 Summilux (old style) is better than the 35/1,5 Canon and so is the 35/1,8 Canon. Of the Japanese 35's from the 60's, my favourite is the elusive and expensive Nikon 35/1,8. It is a very good lens, although a bit prone to flare wide open. Canon's all time winner in the LTM lenses is the 50/1,4. It is a superb lens, sharp and nice contrast across the board. It rivals the 50/1,4 Summilux and it can be used on the Barnack Cameras too. Well, the sun is shining and I am going out shooting with my Bessa-R and the 50/1,5 Nokton (very good, better than the Summilux 50) and a M6 0,85 with the 90/2 Apo-Asph. Wide angle will be provided by the 25/4 Snap-Shot Skopar. Film by Ilford FP-4, about 10 years out of date! All the best, Tom A