Archived posting to the Leica Users Group, 2000/02/10
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Hans-Peter Lammerich wrote: "To some extend, the R8 resembles the history of the M5. The customers did not like the additional bulk and shape in comparison to the classic M body. Leica then discontinued the M5, re-issued the M4 and customers had to wait for the M6, until Leica was able to find a supplier for the TTL device who could economically design and manufacture for a small production number and who was able to shoehorn the device into the classic M body." H-PL - have you hooked those thoughts right out of my brain today? I have often thought that the R8 is the M5 redux. But do not misconstrue: unlike your feelings for the R8, I LOVE the M5. It is a great camera designed with ergonomic genius, high precision and some special features that mark it as unique in the Leica family tree. Yet therein lies its (and the R8's) problem: it is an odd-looking evolutionary dead-end, shaped without respect for Leica's traditional qualities and probably without much thought about where the design might lead, if anywhere. This is what is so worrisome again today. The M5 marketplace failure probably endangered Leitz Wetzlar's viability more than we know. I bet Cohn has the smarts to prevent the same from happening all over again to Solms because of the R8. Barnack made Leica's reputation by designing a S-M-A-L-L camera, remember? It is worth noting, however, that 25 years after production was cancelled, the M5 has won over a whole new generation of buyers who recognize its unusual virtues. Prices for nice M5 bodies are now equal to (or higher than) prices for an M6 in equivalent condition. The tale was quite different just a few years ago. Perhaps the wiser youngsters of today will be hunting down R8 cameras sometime after 2020! Emanuel Lowi Montreal