Archived posting to the Leica Users Group, 2000/01/13
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]When I mentioned some people criticizing HCB's portrait work, I hope that I didn't infer that I feel the same way. As you said, the Capote is brilliant, and so too from memory I can think of his portraits of Henri Matisse and William Faulkner as classics. Formal portraiture obviously wasn't his oeuvre, but then that's not my bag either. HCB captured them as I would have wanted. - ------------------------------------------------ DGF PHOTOGRAPHY http://home.golden.net/~tekapo > From: John Collier <jbcollier@home.com> > Subject: Re: [Leica] A more interesting question > > I personally think in answering this question we reveal more about ourselves > than anything else. Being a shy bashful recluse I will not offer an answer > but would life to comment on the idea that HCB's portraits are "weak." I > find his portraits to be breathtakingly illuminating, emotionally rich and > among the best portrait work ever done. His portrait of a young Truman > Capote tells the viewer Capote's future life story in just a glance. Why > even the obvious flare is illustrative of Capote's life. A "zone" > photographer must wince when he sees HCB's work; but to judge the whole work > by its technical flaws is a small way of looking at emotionally rich > pictures. One would be equally crass if one called AA's work "pretty." I > could go on but would like to add one comment on the question of the best > photographer of the last (and this upcoming century): it is not me! > > John Collier