Archived posting to the Leica Users Group, 1999/12/21
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Mike Durling wrote: > > I'm not going to argue that reflected or incident metering is inherently > better. I just think that people who knock incident metering miss the > point. You are measuring the light. An incident reading, taken at face > value, will allow the relationships between tones in a photograph to > approximate the relationships that exist in the original scene. After the > reading the placement of tones for creative expression is the same mental > exercise regardless of metering technique. > > Most motion picture photography, something I have a lot of experience with, > is done with incident meters. The reason is purely practical, it helps to > ensure consistency between shots that have to cut together. > > There are many different techniques for incident metering. I took a seminar > with a Hollywood cinematographer who used a flat disk on his meter and only > measured the key (primary) light. He then lit the rest of the scene by eye. > Takes a lot of experience but it certainly worked for him. > > Mike D > I have seen documentaries and read about the great cinematographers at work and I find it an enigma on the fact that they all seem to use incident light readings. Could it be they never had an Ansel Adams? Don't know. I can't see the logic. But a flat disk does what exactly I thought it might be for copy work? Mark Rabiner