Archived posting to the Leica Users Group, 1999/12/18
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Disfromage@aol.com wrote: > > In a message dated 12/18/1999 12:59:30 PM, you wrote: > > <<I have recently been revisiting the photos of Bill Brandt ,Ray Metzker and > > Michael Kenna.><Snip> > I think that you can get the look you are after, but keep in mind that > today's materials are different than what they used. You will have to do a > lot of experimentation. The soot and chalk look was popular in the 1960's, I > think more so in Europe than the US. I would use Tri-x and probably develop > it in D-76 possibly straight for more time than usual to build up additional > contrast. Be sure to give the film adequate exposure. I would tend to place > the shadows at zone 4 to make sure of adequate detail. Also, the paper you > use will have a big effect on your results. Try Ilford Galerie in Dektol 1:1 > or 1:2. Be sure to fully develop the prints- 21/2 to 3 minutes. The grade > of the paper should be 1 or 2 numbers higher than normal. Good luck, and let > us know how you do. > > Richard Wasserman I think of that look as printing on Agra Brovira #6 from negatives so thin (underdeveloped) they look like a stain. Do they still make that stuff? Or did they have them renumbered differently? Mark Rabiner