Archived posting to the Leica Users Group, 1999/12/15
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]I had the great pleasure yesterday of spending a couple of hours looking at the new Magnum exhibition at the Barbican centre in London with Neil Miller, a fellow LUGer from Phoenix, Arizona. He was over here on holiday with his wife, who he had lost for the morning. Two friends, including an American photographer, now resident in London, Richard Bram (who uses M4's and 6's) joined us, so it was a good party. What an interesting show the Magnum show is! Occupying two floors of one of London's major exhibition centres, it took some considerable time to view. And all the great Magnum people were represented. This is a must for anyone travelling to London in the winter/spring. And there were a number of major surprises, the first of which was that none of the prints were behind glass, and with all the monochrome being printed on matt paper, the prints looked flat at first, but with exquisite detail. Surprisingly, the colour was either high gloss (as in Ilfachrome prints) or inkjet prints. The inkjets stood out because of their compressed tonal range which gave them a 'poster print' quality which really suited much of the work. The most welcome surprise was the new work by H.C-B, showing very recent environmental portraits as in Tete a Tete, and taken as recently as 1997 - 1999. At 90 this maestro has certainly not lost his eye! In my opinion, he was a fresh as ever. Gerry Gerry Walden (UK)