Archived posting to the Leica Users Group, 1999/12/05
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Dear LUGGERS I was encouraged by Mikiro's question on the 100 f4 macro to drag out Steven Dalton's book "Secret Lives" - one of my favourite books. The majority of his ground breaking high speed photographs are take using the 100mm f4. There is a page called "notes on photography" I quote from this:- Quote "The camera model has little to do with results. Nowadays there seems to be a technological obsession with photographic equipment, brought about for the most part by the camera mkers, who find it necessary to incorporate more and more complex gagetry to sell their wares. Encouraged by much of the photographic press, who discuss and compare at great length all thes multi programmes, auto-this and digital-that, it is no wonder that many photographers find it next to impossible to select suitable equipment. I have tried thes 'state of the art' cameras with their half dozen metering modes, auto focussing, digital liquid crystal displays, flashing lights and squeaks, and although they are fine for family snaps, I find them disappointing for serious work. The trouble is they are not designed for photographers. Although playing with these electronic toys can be fun, in my experience the simpler the equipment the better. As long as a camera is totally reliable, has first class lenses, produces minimum mechanical vibration and preferably has a mirror lock, then little else matters." end quote How true - and this published in 1988. FWIW all his flying insect pictures are taken using a Leicaflex SL usually with 100 f4. He has a Nikon F3 and FE2 (prefers match needle to digital display - so do I) with Nikkors apart from two macro Leitz lenses converted to fit the Nikon. He usually uses Kodachome 25 film. I find it hard to imagine any modern kit producing better photographs than his and the bokeh on the flying insect pics is very much to my taste. Cheers Frank