Archived posting to the Leica Users Group, 1999/11/28
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Mark R.: >>>A EOS RS or a camera with a pellicle would seem to be an ideal cross in effect between an SLR and a Rangefinder camera. You might feel like you were shooting a Rangefinder camera with no blackout and vibration from mirror flap. You have a nice groundglass which flashes when the flash flashes! My worry is with strong backlit situations which for me are common the bounce around effect of shooting through an angled semimirror. The results would seem to be unpredictable. I wouldn't mind the slightly slower effective film speed and a slightly darker groundglass. A used EOS RS at a good price would be tempting.<<< A Canon EOS RT was the first camera I ever bought as the result of reviewing it; I used it for a bit more than a year. The "cross between SLR and rangefinder" is something I said of it too. You do see a momentary darkening of the screen as the aperture stops down to the shooting aperture, but the traditional gripes against them--darker viewfinder image, slower effective lens speed--are just not issues at all, and I did shoot in "available darkness" with the RT. I never experienced any problems with backlight or any other situation, nor did I ever suspect reduced sharpness from shooting through the beam splitter--if anything, the RT was a bit MORE sharp than my other Canons, I suppose because of the reduced vibration. Yes, this was the conclusion of doing controlled trials and carefully inspecting slides and prints. The only complaint I had againt the RT was that it was not as quiet as it could have been. The metering cell was on a hinged piece behind the mirror, and that had to flop down and out of the way before the shot, and it was nearly as loud as a reflex mirror. Of course, you could "pre-fire" this, so that the moment of exposure was very quiet. (You could also set the camera so that the motor drive wasn't activated until you let your finger up on the shutter button, so you could delay the winding noise! Never did quite figure out what this would be valuable for, but it was kinda neat.) Also, the RT was the only camera I've ever used that had a shutter-lag time shorter than the M6's! (8 ms vs. 18 ms.) Business issues were something else again. Canon made the RT as a deluxe version of the then-popular 630 body style in a run of about 10,000, expecting it to be snapped up by art photographers, camera buffs, and what Kodak calls "AdAms" (ADvanced AMateurs). It had a premium price of $800 or so. I heard they expected it to be sold out within a year! By the end of the NOS, it had taken six (?) years to sell out and was discounted down to the low $300's. All that considered, I was surprised to see the technology resurface again in the RS. Incidentally, I liked the RT well enough that I had my cash ready and waiting to buy an RS, but was put off at the last minute by the fact that the RS has the booster permanently fixed to it, making it a larger camera than I prefer. In fact, the regular EOS-1 body is a bit too big for me. This is just personal--I simply don't prefer large cameras. If the RS had been a pellicle mirror in a regular-sized EOS-1 body, I'd probably be using it still. The RT was a fine camera for a realtively early-generation AF. - --Mike