Archived posting to the Leica Users Group, 1999/11/15
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Alan Hull wrote: > > >From Mark Rabiner > > The only way to know how you feel about the classic M6 is to give it > a shot yourself and shoot a brick with it!. > ------------------------------------------- > > And for those of us who speak English??? > > Alan Bricks have subtle red colors in them that really get you in touch with your bad self. Or........ CELLOPHANE definition No2. Cellophane is what makes a brick a brick!!!! Put Cellophane around 20 rolls of Tri X and you get a brick. The emulsion numbers will be the same. There is something to be said for that! 10 rolls of an Ilford film or Neopan makes a more humane brick. I don't shoot a roll of a black and white film to find out if I want to switch to it or not. I shoot a brick. Contact and print the better images from it. Then I feel like I've given the film a fair shot. Most people make decisions on a film before they even get their developing time nailed down on it. They print from under or over developed negs; then make a judgment. There is a price advantage to the cellophane. Sometimes it's a buck are two per roll. I get a warm fussy feeling when I buy a brick of film. INVENTORY: the key to success. By Harry J. Smith The people behind the camera store counter look at you then with great awe and respect. (Wear your denim shirt!) And then when you come into the camera store and ask to see that new expensive German or Swedish thing under the glass they pull it right out and gleefully show it to you. You gotta have respect!!:) Cellophane is certainly the key to that respect! It's amazing you can see through it! Mark Rabiner "gotta get the chromes, Man!!!!" "Just like that baby! Just like that!!"