Archived posting to the Leica Users Group, 1999/10/06
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Mark, It is my personal opinion (IMHO as well) that what you get from a digitized negative (or positive), photoshopped, and outputted on virtually ANY digital output device, will always pale in comparison to a masterfully made silver print. There is a dynamic depth and richness to a good silver print (Cibachrome, Monochrome, or whatever), that just cannot be obtained by splattering ink onto the surface of some paper. Jim At 12:01 PM 10/6/99 -0700, Mark Rabiner wrote: > >In the last week I have had my first experience with dealing with one of my >images scanned directly from a neg. It was a shot of an Ape at Lincoln Park zoo >in Chicago shot on Tri X Rodinal 1:50 I did five years ago. When I brought home >the scan on a Zip I quickly had fun tweaking it on Photoshop which I have been >playing with for years on downloads and so on achieving some authority with it. >So I "printed" the neg in Photoshop and then brought that in with 3 others >to be >outputted to a slide. These I sent to Chicago for Projection at the LHSA On >Saturday October 23rd. >But here's the crux of the issue. I had great fun and precision doing my Ape >neg >digitally but this week sitting where I sit now but then I brought it into my >real darkroom almost reluctantly. I don't have an Epson and I needed hard copy >for myself. >Was I surprised. As I don't quite print the old fashioned way as I print >sequent >illy with the Aristo head first the blue filter then the green. The results I >then achieved and the manner in which I was able to re-realize the neg was >invigorating and captivating. I now have an Archival Fiber 8 by 10 of that neg >and with all the controls available in Photoshop (and I am aware of most of >them) the previous time around now the tonality of this print was most >satisfying. And I got much more so that poignant "OH my god its somebodies >grandfather" effect from the ape picture this time round from the silver print >than I did in my previous world of pixels and slide output. When I get my Epson >and so on in November I'll be making much more of these comparisons. >Mark Rabiner