Archived posting to the Leica Users Group, 1999/10/03
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]I was in a camera shop yesterday and picked up a copy of a book Eisenstaedt on Photography. I've never seen it listed before anywhere, even in out-of-print listings. I don't know how I'd missed it. Published in 1978, it's a general "how-to" book with the greater emphasis on composition and covers everything from portraiture and photojournalism to landscape, wildlife, macro and travel. The book was a revelation to me, as I always considered him as synonymous with journalistic photography and Leica. In the chapter on equipment, there's a great shot of Eisie's gear, arranged in a circle with (counter clockwise from 12:00) M3 with collapsible 50 Summicron, chrome 90 Elmarit, 1st-version 28 Elmarit, 1st version chrome 35 Summicron; and (clockwise from 12:00) Nikon F2 (non-metered) with 55 Micro, 105, 28 and 80-200 f4.5 (all older, non-AI versions). Remembering that this was around 1977, Eisie's choice in a current Leica R would have been limited to the R3 type. Still, he could have used an SL2, as many of these seem to be working well even 20 years later. A couple shots were captioned "Leicaflex" so it would appear that Eisie had used them prior to switching to Nikon. He states emphatically his love of the Leica rangefinder for its quietness and unobtrusiveness, not a word regarding optical superiority. Perhaps that's why he didn't consider it mandatory to use Leica glass for his SLR work. Then again, for a number of shots (landscapes in particular) he used a Rolleiflex, so sharpness and definition must have been a priority. All in all, a nice addition to my Leica library. DT