Archived posting to the Leica Users Group, 1999/09/27
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]For in depth film scanner comparisons, including LS2000 and Pol 4000, see: http://www.cix.co.uk/~tsphoto/ Look under film scanners. Also home to the film scanner list. Tim A > -----Original Message----- > From: owner-leica-users@mejac.palo-alto.ca.us > [mailto:owner-leica-users@mejac.palo-alto.ca.us]On Behalf Of Henning J. > Wulff > Sent: September 27, 1999 10:50 PM > To: leica-users@mejac.palo-alto.ca.us > Subject: Re: [Leica] scanning Leica slides vs colorneg > > > At 5:34 PM -0700 9/27/99, Godfrey DiGiorgi wrote: > >> It is my understanding that your typical scanner is really not up to > >> snuff to slides and does better with ColorNeg while a Polaroid 4000 > >> can deal with slides fine. By the end of the year who knows the > >> options but can anyone confirm this or know much about it? > > > >Transparencies, being positive images, have more dynamic range than > >negatives (the materials are not sensitive purely linearly, the response > >curves are better characterized as partial differential > equations of order > >2 - the useful range of exposure tends to happen in the toe and linear > >section of the curve, each transfer from negative to positive includes a > >rise in contrast just like making slide duplicates includes a rise in > >contrast). What limits scanning of transparencies is similar to what > >limits making good prints from transparencies: the contrast gain of a > >slide which has just too much dynamic range burns highs and loses lows. > > > >Given this, the limiting factor in how well you can scan a > transparency or > >negative has to do with the scanner's bits per channel which relates to > >its DMax capabilities (as well as all the other details of quality > >alignment, good focus, etc). Shooting transparencies for scanning is much > >like shooting them for printing: you have to be careful to keep the > >significant portions of the slide to a tight lighting ratio not only to > >keep within the transparency material's exposure tolerance but also to > >minimize contrast gain. A 12 bit per channel scanner at 2700 dpi will do > >quite a good job with slides where a 10 bit handles only the better > >exposed slides well, and an 8 bit unit's capabilities are rather limited. > >Most negatives scan very well even with 8 bit units, although 10-12 bit > >units do seem to wring more brilliance out if properly calibrated and > >adjusted for the film. Part of this might be that the more expensive > >scanners generally get better software as well, part of a professional > >package. > > > >Added dpi resolution surely helps no matter what but the limitations here > >are more related to how much detail your digital image will have at what > >enlargement size rather than how well it will reproduce the color/tonal > >scale. A 2700 dpi film scanner, calibrated properly, will return enough > >pixels to make a quality 12x-16x enlargement from 35mm format (16x is > >about 170 ppi, 12x is a healthy 225 ppi). While this doesn't beat the top > >notch printing technology available today, it's adequate for > most people's > >home uses. Going to 4000 dpi gives you closer to the drum scanner > >resolution capabilities if you want really large prints. > > > >Something must also be said for the fact that some scanners and their > >drivers are better optimized for transparencies vs negatives and vice > >versa. Part of the reason I chose the Polaroid Sprintscan 35E/S (10bit, > >2700 dpi, built-in DSP) was that in testing it, it seemed to be much > >better at rendering color negatives than the comparably price Nikon > >scanner was in 1996, the Nikon at the same price was better at rendering > >slides. > > > The present Nikon LS-2000, intrinsically, and enhanced because of its > multisampling capability does a better job of producing a decent > slide scan > due to its lower shadow noise than the Polaroid 4000, as I mentioned in a > comparative report a while back. The extra detail available with the > Polaroid is not enough to compensate for its bad software and more limited > dynamic range. The LS-2000 is still a better value if your interest is in > slide scanning. > > Adveritised Dmax and dynamic range capabilty are generally > nowhere near the > truth, and dpi capability is also generally less. Caveat emptor! > > For more information see the scanning mailing list; to subscribe: > > send to : Majordomo@leben.com > > the following message: > > subscribe scan 'your e-mail address' > > * Henning J. Wulff > /|\ Wulff Photography & Design > /###\ mailto:henningw@archiphoto.com > |[ ]| http://www.archiphoto.com >