Archived posting to the Leica Users Group, 1999/09/20
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Greetings all, This thread on street photography has actually gotten quite interesting, well to me at least. What I am noticing in these discussions, and have noticed in my travels is that the reaction to photographers in general really does vary greatly from place to place. One of my early favourite people and street places was Ghana were the success rate was very high, hassles extremely low - except for the odd interference by the military and the police - I honestly can't recall having someone there say no. Nepal was a different story, even though I was there for six years and can speak some of the language, my success rate was much lower and I found myself doing more architectural and landscape work than anything else. London was a great place to cruise the streets for snaps. Even when descended upon by a large group of photogs (London LUG) with more Leicas than I've ever seen in one place, people did not seem to mind us snapping away. That's a trip I'd like to do again some time. Bangkok so far has been an absolute paradise but you have to be willing to get involved with the people. It is easy to grab quick shots without interacting with people as you walk around but if you invest a small amount of time to stop and chat you can photograph just about anyone and anything you choose. A lot of my time late seems to be spent on the chatting part as I try to pick up on the language. I don't like to generalize on an entire population but Thais in general seem to like to have their pictures taken. The bulk of this activity has been taking place away from the main tourist haunts - down small lanes and back streets which helps as well. Another thing that has helped over the last while is my newly hired photo assistant, translator, language teacher and equipment carrier. This woman, Pilaiwan, is incredible when it comes to chatting with people while I work and generally setting the entire scene for me to work with - it's wonderful! At the same time I get accurate research and information on the geography and history of the area we're working in. I should have done this a long time ago. I really feel fortunate to be photographing in a country that really is hassle free - well other than the traffic. Even the traffic is starting to pay off in a way though, as I am building up an interesting collection of shots taken from taxi windows while we are stalled in traffic. To keep this on topic - I'm still using my M4-P, M6HM, 50mm Summilux and 90mm Elmarit, TRI-X Pan developed in HC110. Ian Stanley, Bangkok, Thailand