Archived posting to the Leica Users Group, 1999/08/10
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Mark: What Ansel said was to keep consistent developing between prints, you time how long it take for the image to first appear. As this time gets longer, you increase the developing time by the same factor. For example if you were to do twenty prints, the first few may have the image first appear at ten seconds and you develop for two minutes in total. When the image takes twenty seconds to appear, you develop for two minutes and ten seconds. This way a batch of identical prints will appear identical as the devoper begins to exhaust itself. Regards, Robert At 12:30 PM 8/10/99 -0700, you wrote: >Dan Post wrote: >><snip> >> For a low-tech solution, Ansel describes a factor development kind of thing >> in, I believe, his Print book. Can anyone verify this? If I remember >> correctly, this technique involves locking down parameters based on when >> certain values appear as the print develops. All other print development >> times will be a factor based on the appearance of these same values. >> >> Hope this helps. Good luck. >> >> Best regards, >> Alan Huntley >> >><snip> > >The "Yankee" approach to printing which for me is "yanking" out the print not at >a specific time but when it looks good in the safelight had always been >considered lowest level technique for me. A definition of no technique or >commitment to quality work. >That Ansel would get involved with techniques such as this is a inspiration as >his mind always remained not entrenched but always opened. He said there are >advantages consistency wise with this technique. I've read his description of >these techniques a dozen times and I think to get into it and/or appreciate it a >workshop would be required. Safelights are of course also an issue as you are >developing by inspection, waiting for a tone to appear and then going on from >there. It didn't appeal to me. >Ansel also stretched known parameters by getting involved so I hear with the >Phillips Tri color head which made automatic ring arounds in his black and white printing. >So many people picture him with his view camera and western clothing and would >assume he would be the epitome of die hard archaic Zone 64 technique. When quite >the opposite had always been true. >Mark Rabiner > >