Archived posting to the Leica Users Group, 1999/07/15
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]"Clompus, Dr. Richard [INN]" wrote: > > Dear Fellow LUGnuts, > > I too experienced somewhat flat images with T400CN compared to Tri-X film. > The TC400N was much more difficult to print. Often when I finally get to a > good enlarger exposure (aperture and time), it is about the same for most of > the negatives on a roll that have similar exposures. The T400CN I printed > varied greatly from shot to shot even though the negatives looked about the > same density. I had to use contrast grades from 3 to 4 to get more snap > into the prints. I was using variable grade RC printing paper. > > I have since gone back to Tri-X. Funny thing about Tri-X. When I was in > college 25 years ago, it was pretty grainy film. I shot a lot of Plus-X at > the time because I didn't like the excessive grain. Tri-X made in 1999 > looks more like Plus-X from 1975. I guess film quality has improved a bit > over the years - or I'm just showing my age. Maybe I should get my eyes > examined again. > > Happy Shooting, > > Richard Clompus, OD > Virginia I always thought Tri X was only slightly more grainy than Plus X but Plus X had more brilliance and for me worked better for portraiture and fashion because of that different shape of characteristic curve. It is now still the 220 film I have in stock. Tri X now in Xtol gives better grain than my previous efforts with Plus X in Beutlers, D76 1:1, my own developer and certainly Rodinal at 1:50. I will be curious the effect I get from Plus X in Xtol. I'm sure the results will make it able for me to shoot 35mm plus X in the studio. I used to shoot Pan F in Rodinal in the studio. But I think I could for portraiture and fashion also very probably be able to go with Delta 400 or TMax 400. I think they both would deliver enough brilliance...and faster strobe recycling times. With Xtol grain is no longer the issue. (for me) Mark Rabiner