Archived posting to the Leica Users Group, 1999/07/15
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]"Dan Post" <dwpost@email.msn.com> wrote: >The problem with balancing color negative film to tungsten, without filters, >is that the blue sensitive layer is usually so underexposed as to have very >little information on it.... [snip] >and if the information is not there, it >is JUST NOT THERE! You get an overall blue photo that looks like.... crap! >Either over exposed the film so you get SOME information on the blue layer >or use a blue filter- either way, you reduce the efective speed, but you'll >get much better color! Agree completely! And as "Adrian Bradshaw" <apbc@public1.sta.net.cn> added, same goes for scanning C41 films. No 80A/B filter and the blue channel is super-noisy, use the filter and you get enough info in all channels for quite good results. 80A/B filters are useful for non-tungsten light as well. For instance, a few months back during a shoot in a sodium-vapor lit museum, I used the built in 80B filter in my 16mm R fisheye Elmarit and an 80A over my 90mm R Summicron. Even though the light was almost pure monochromatic yellow, much to my surprise the blue filter helped bring back *some* of the colours! But under flouro have found for C41 film that you don't really have to use filters as it easy to fix during the scan with minimal/no quality loss. If you use Fuji Reala or RDP then this is even less of a problem as the 4-layer films are designed to cope with mixed/flouro sources. Regds, Andrew N. www.nemeng.com