Archived posting to the Leica Users Group, 1999/07/07
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]pieter@world.std.com (Pieter Bras) seems to have the answer to my M6 problem, and I'm most grateful to him for replying. I'm afraid I hadn't R'd the FM 'cos second-hand cameras rarely have the FM included. A number of the affected frames do correspond to lens changes - not sure about all of them through. However some lens changes carried out outdoors did not create problems. Most changes were done outdoors, and I was trying to work in my own shade when changing lenses. However the Paris Air Show is a bit of an endurance test (exhaustion test!) for a technical journalist, so it's possible I got careless. I've always regarded shading the body as I change lenses as a "nice-to-do" but not mandatory, arguing that the shutter is either light-tight or it isn't. Also why shade the hole in the body when you're about to cover it with a great hunk of glass which is going to let lots of light stream in for hours on end? Let's suppose that having no lens in place admits 100 times the light that a fast lens does. If five seconds exposure with no lens in place is enough to fog the film, then why does 100 x 5 seconds with a fast lens uncapped not produce the same fogging? The only hypothesis I can come up with is that an open mount admits the light at a far wider range of angles than a lens does, and that some if this light arriving at odd angles is sufficiently scattered from surface to surface within the camera that it eventually works its way to the film. But given that the camera can be carried outdoors for all day with the lens cap off, why doesn't enough of the light arriving through the lens follow the same route (perhaps after a few extra scattering operations to get it started) and eventually fog the film? Curiously I never had any problems in almost 20 years of changing lenses on a IIIg, M2, and 'flex, and I'd always assumed that all have basically the same general configuration of shutter. Regards, Doug Richardson