Archived posting to the Leica Users Group, 1999/06/26
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]In a message dated 6/26/99 11:00:07 AM Eastern Daylight Time, gbennett@club-internet.fr writes: << i also like those interiour and city shots, though i find it difficult to avoid convergence, with all those vertical lines (i use an m6 and don't have access to pc lenses). also, if i'm not careful, interiours shot with a wide angle usually wind up including one or two egg-heads (though i rarely photograph intellectuals) sitting too near the edge of the frame >> When I used to travel with my SLR system I always carried a PC lens. My 6x9cm press/view camera that I take to "predominantly landscape destinations" with the 65mm lens and all the shifts is a great setup for architecture, too, so if I ended up in a city I used it to advantage. I've basically relegated my SLR to nature/wildlife use nowadays, and prefer to take the M6 to "predominantly urban destinations" (compact and fits in a slim bag that doesn't stick out a foot to my side and bash into people and things!) so I'm having to adjust to working around the convergence issue. I *try* to shoot interiors of large buildings from as high a vantage point as possible (a mezzanine balcony perhaps) so as to get as much floor-to-ceiling coverage as I can without tilting the camera up. Exterior shots if possible I try to find a building across the street where I can go up a few floors and shoot out an open window. I remember from my darkroom days (always hated being in there) you could tilt the enlarging easel to correct the convergence. Not much help shooting chromes, though. I wonder if Photoshop 5.0 has such a feature (it must). DT