Archived posting to the Leica Users Group, 1999/05/23
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]At 09:54 PM 5/23/99 -0400, you wrote: > >> If I had both an Cosina 75/2.4 and a Summilux 75/1.4, which would I use? >> >> It will be a cold day in hell before I would lay an image on film through >> any 75mm lens other than the 75/1.4 Summilux. This lens is simply the >> epitome of Leica. >> >> Jim > > I have a feeling that the main advantage is that the Cosina lenses will >probobly be at least a $1000 bucks less than a new 75 summilux, and probobly >$500 less than a used 75 summilux... Dem's a lot clams... > >Isaac I can certainly understand the dollar angle. Been there many times. But if you look at the folks that are clambering after these lesser lenses, they don't fit your mold. As I said before, if this is what you really like to do, that is indeed what you should be doing. And I fault nobody for doing it. I was simply stating my own point of view. I like the results of photography a little more than I like fiddling with the equipment. I like the direction Leica chose when they started making lenses. I like their unique imaging qualities. I like the bold, sharp, full dynamic range I get with the 24 & 35 ASPH lenses. I also like the subtleties of the old hand computed Summicrons and Summiluxs. Especially the 75/1.4 . As JL Adams implied, there is something about a Leica image that sets it apart from other images. We've discussed "Leica Glow" and "Bokeh". I believe the "ethereal" qualities of Leica images are much deeper than what simply meets the eye. I believe good Leica images have a feeling. They have music. This is why "I like using Leica lenses," All others need not apply. Jim