Archived posting to the Leica Users Group, 1999/03/16

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Subject: Re: [Leica] Our existential pleasures
From: mikiro <mikiro@yahoo.fr>
Date: Tue, 16 Mar 1999 02:45:50 -0800 (PST)

Alan Ball <alanball@csi.com> a écrit:
snip
> To go back to other aspects of this thread, the analogies with other
fields
> of creation or other hobbies, I find that photography, as
respectable and
> potentialy great as it is, is an activity that allows more
incompetence and
> self indulgence than others. 
> 
> It does not take that much work and knowledge to make an acceptable
> picture. I'm constantly surprised by the quantity of
> unsignificant-but-acceptable pictures that get printed and totally
amazed
> by the much greater avalanche of unsignificant-but-acceptable pics
that get
> published on the web. 
> 
> It takes a hell of a lot more training to perform correctly an audible
> piano concerto and, from what I can see, very few amateur musicians
(in the
> traditional sense of the word) dare to publish their sound clips on
the web
> (not talking 'bout rap or techno sampling competitions here). 
> 
> I guess that might be at least part of the reason I chose
photography, and
> now that I own the photographic Steinway, I realise I am far from
deserving
> it, on creativity grounds anyway (I've worked my butt of to pay for
those
> gems). How many luggers feel that way ?

I agree.  I used to play the piano but have never wanted my
unsignificant-and-maybe-unacceptable performance to be heard on the
WEB.  Although I admire Steinways and Bösendorfers, I am happy with my
Yamaha, which I may barely deserve. It is also interesting to me that
the power of Leica is not so often essential  for professional
photographers as that of Steinway is for professional pianists.

mikiro
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