Archived posting to the Leica Users Group, 1999/03/09
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]>Studio work comes in all flavors. When someone says "studio work", it is >usually thought of as elaborate "still" setups. Products. Soap, cars, beer, >etc. This kind of "studio" photography requires a ground glass camera. From >the smallest (35mm SLR) to the middle (Hasselblad, RB67, etc), to the >largest (8x10 view camera). View cameras meant for the studio are called >"studio views". Anyway... the studio photographer is usually following a >layout and brainfart from some advertising agency. The photographer is >attempting to capture, on film, what's in the mind of the Ad director. The >only way to accomplish this is to use a camera that has a ground glass. >This way you can see the effects of lights, filters, gels, DOF, flare, >reflections, etc... This is pretty much impossible with a RF camera. Not >pretty much... it is impossible. > >However... fashion photography is a free form of photography and an M >camera will work quite well. There is usually nothing unusual to detect on >a ground glass. Lighting is usually very simple. A softbox. And since the >subject is moving much of the time, being able to follow the "action" with >an RF camera just might have an advantage. Hi Jim, thanks for your insights. What about portraiture? MK