Archived posting to the Leica Users Group, 1999/02/19
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]> What you gave me in your post was the word that describes the look of the > prints from the 37 year old Tri-X negs, "tonality!" Thats it in a > nutshell. > The prints have the nicest tonal look to them compared to how the T-Max > prints look. > > Strange that it only took me 37 years to discover I had made some nice > negatives at one time.:) But then.... oh well never mind...:) > ted > I, too, have from time to time printed some of my 30 year old Tri-X negatives and remain astonished by that "tonality," something I have never been able to achieve with T-Max. I have largely shifted to Ilford for black and white, but this thread makes me think of returning to Tri-X. However, something is still missing from the prints I made so many years ago. The biggest difference between prints made thirty years ago and prints made today are the papers available. I have never found anything to match the brutal cold tone and elegant tonal range of the late and lamented (by me) DuPont Velour Black under Tri-X. Can anyone recommend a fine, cold toned fibre based paper which resembles the old high-silver Velour Black? Buzz Hausner > Ted Grant > This is Our Work. The Legacy of Sir William Osler. > http://www.islandnet.com/~tedgrant >