Archived posting to the Leica Users Group, 1999/02/02
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]When I interned one summer at a small daily newspaper, I had the honor of working with a leitz focmat 1c. What was interesting about this is that it had a focotar II lens on it. That lens was absolutely stunning at f5.6. It had to be as we made at the time separations with that enlarger using a special paper that Kodak made at the time, called Resisto Rapid Pan paper. What you did to make color separations with this system was to expose three identical images to a special black and white paper in total darkness. In the first of four sheets of paper, you would use a red, then a green and then a blue filter (RGB). Then on the fourth sheet you would use a set of times to crank out a black printer. It was an exacting process that required a vacumm easel and good concentration. I could crank out a set of seps in 20 minutes on a good day. The editor would have to have the photo scaled and ready to go no questions asked. It was through that nightmare of a process that I learned how good the focotars were and how superb Leitz enlargers were! We would make all the prints full frame with a verification boarder around it as that was a registration mark. It was really cool. That was back when papers weren't afraid to be individual. We printed many photos full frame so it influenced how you shot. It was a dream that for me lasted as long as the internship. It was wild. One of the former photographers who worked there, was a dyed in the wool Leica man. He had M and Leicaflex stuff. All the way to telyt 400 f6.8. The guy went to Ansel Adams workshops and could print like no one I have known. He could print circles around anyone I knew. However, the emotional quality of his work was not as strong as it could be, but the technical quality, took my young breath away. I can still see in my mind's eye his wonderful prints. I think in the older all black and white age, I think it was harder to master the medium than it is today with the computerization of color. I still love black and white a great deal as you can do so much with it in subtle ways. gck