Archived posting to the Leica Users Group, 1999/01/25
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Ian Stanley wrote: > > Mark Rabiner wrote > > >My own personal and perhaps not common take on this might be the fact > >that I've gotten really enamored with this whole split printing > >approach... snip > > Hello Mark & all, > > I have been using the split printing method for about three years now with > a Zone VI enlarger and VC cold light head. Graded papers have always been > my favourite but the practicality of brining in a supply of paper in > various grades and sizes into Nepal was too much so I switched over to VC. > I am very pleased with the results and the printing control that this gives > me. What works best for me is to do the high contrast first and do the low > contrast second. > > My wife just came back from New York and brought in some books that I had > ordered. One of them is The Variable Contrast Printing Manual by Steve > Anchel and it has some very interesting information on VC papers and split > printing. I haven't had a chance to read through it all yet but so far > this is one of the best books on the subject I have come across. > > Ian Stanley, > > Kathmandu, Nepal I will check out these books. Just got off the phone to Larry Shlim, a Portland OR Leica photographer who does well in the Galleries and spends much time in Kathmandu. I also follow the blue with the green where I do 99% of the dodging and burning which, if I get my balance just right is often not at all needed. I would have thought this split printing thing would have revolutionize the black and white darkroom world by know and I read it's easier to teach as students have trouble with the concept of contrast. But such is probably not the case. For a while we'll have an edge. The Ilford multigrade warm fiber paper I just bought a box of and would love any input on. I have been gleefully standardized on the regular Ilford multigrade for years. Mark Rabiner