Archived posting to the Leica Users Group, 1999/01/13
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Joe Stephenson wrote: > > Dear Alan, > Have you tried making tests w/ your enlarger? I ask because I use an old > (40-50 years?) Simon-Omega D-2 for 35mm printing. It is cluncky, and I > thought about replacing it. But I made some tests, and it was easily > aligned. I spent the money I saved and bought a Rodagon APO enlarging lens, > a good grain focuser, and an assortment of printing paper. It's not a dream > to focus, but it's not a problem, either. The next thing I want is a good > four-bladed enlarging easel. If you want a V35, go for it. I woudn't mind a > fancier enlarger, but for ordinary B & W printing, the requirements are few > and simple. > Some where in the back of my mind I seem to recall of enlarger lenses that > were optomized for glassless negative carriers. There was also a version > made for the flat negative plane produced by a glass carrier. Is my > recolection correct? > Sincerely, > Joe Stephenson > ++++++++++ > Alan wrote: > [cut] > I digress though...this setup, though acceptable for large format, just > doesn't seem to have the precise alignment capability and precision > focus mechanism required for really fine 35mm printing. The idea of > a glass neg carrier intrigues me because it seems logical that the neg > would be held in a flatter plane. Precisely flat negative plane coupled > with neg stage, lens stage, and easel in precise parallel alignment is, > it would seem, best for 35mm; any neg really, but smaller negs seem > to benefit most from precision equipment. > [cut] I'm with you on the D2. Although I do have the Aristo variable contrast head on mine: blue light, green light...which I use consecutively which makes a big difference for me. Viva la difference!! From what I know the Omega's are a third more popular than the Beselar the Beselar being hard to calibrate. Zone six used to make a lens carrier that could make it be calibrated. I love the 23c by the way. Are you thinking of c lenses for slide projectors optimized for glassless and curvy slides? I don't think glassless neg carriers for 35mm are an issue, few people don't use them. Few people feel that their negs are curving in their enlargers and I think that includes most mater printers. But then again, maybe its just me? I make full frame black border enlargements from 35mm negs and the grain pattern is consistent from corner to corner. I stop down two or three, three is the ideal. I have a Nikkor 80 5.6 soon to be replace by a Componon 4 the f stop being the issue.