Archived posting to the Leica Users Group, 1999/01/01
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]From: Bill Franson > Hey Alan, > Tell us why the images of "the old names of the distant past" are "for the > most part second rate"? How are we modern photographers getting "awesome > results"? And how different is a Leica M6 from its ancient cousin except > for the fact that it has a meter? - ------------------ Examples are all around us Bill. I recall my art teacher who used to get all smug when she was critiqueing a painting with the statement that the painter had technical mastery but no artistic vision. Well what about all those sincere people that had artistic vision but no technical mastery. Who couldn't draw a straight line freehand. Photography and the digital recontruction of the image has freed these people to express themselves in a way (via photoshop etc) that was not possible before. There is an explosion of really stunning images coming from the advertising and commercial worlds. Every day, on posters, brochures etc. I see examples. It is almost jading. As for second rate. That was a remark based on comparison only. From a group that prides itself on equipment superiority (boasts about it in fact), don't you see a little bit of hypocrisy when denying that it can produce a better image at least technically? WOW. That last statement is going to give the nit-pickers a hard-on. Happy New Year Alan Hull