Archived posting to the Leica Users Group, 1998/12/21
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Greetings from a new member and old Leica user! I have enjoyed lurking for the last week and want to wish you all a very Happy Holiday I would also like to ask your opinions regarding the reliability of R-4S's and the reproduction potential of the film scanners like the Nikon LS-2000 1. I have not had very good luck with new Leicas. Years ago I bought two new M-series to add to my M-3, M-2 and M-4. Unfortunately I bought a pair of M4-2's which did not appear to equal my M-4 in quality of build and they certainly were not its equal in resale value. I seem to have made the same mistake when I decided to trade the delights of M-series in for the practicality (for me that is .. I'm an anthropologist and some automaticity comes in handy!) of the R-series. I traded for a pair of new R4-S bodies and collection of lenses. I am very happy with the optics (including the Minolta<G>) but have had some reliability problems with the bodies. With only light amateur usage I have had to send in each body because the LED readouts went berserk - even with new batteries the LED's would show either top shutter speed or off the bottom of the scale with no gradation in between, rendering the body unusable. I now am about to send in a body for the THIRD time for repair and am becoming discouraged. Now I have NEVER had a Japanese camera that needed repairs and, even when I was a professional photographer, rarely needed cameras repaired. So this experience with the R4-S's is very unusual for me. A couple of dealers have told me that the R-4's have had electronic reliability problems but the Leica distributor here says that this was only true for about 1000 R-4s in early production and never for the R4-S. I don't know whether I should get rid the R4-S's or not. Ironically, I bought the R4-S instead of the R4 because I figured that a simpler camera would be more reliable. Is the distributor correct?<G!> 2. I am looking at film scanners. I've tried the Nikon LS-2000 with some Kodachromes I shot with M-series equipment in India but am only just beginning to explore the limits. I want to use this equipment for two purposes. (a) I want to digitize the Kodachromes before they can fade further - i.e. I want to use CD's as a storage medium for digitized and therefore relatively permanent images. and (b) I want to replace my darkroom with a digital "darkroom" and make all my prints using this medium IF I can get professional quality. What I am not clear about is whether a 2700 dpi, 12-bit scanner like the Nikon, used with Adobe Photoshop will be good enough quality to replace my darkroom or whether I should wait until the next generation of scanner (perhaps 5400 dpi?) is available. Does it make sense to go digital? Thanks everyone! Brian Given