Archived posting to the Leica Users Group, 1998/12/19
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Hi, Andrew This is going to draw a lot of heat. Before I state it, let me state (for the "scientists" out there reading) that I've been to Kodak Process Management seminars more times than I wanted to, and I manage an instructional photo lab full time, as well as teaching. EVERYTHING I'm about to say is heresy. However, congrats on doing your own processing... Don't let 'em scare you.... In E-6 processing, there are very few critical steps..... the first developer MUST be controlled for time/temp....the reversal bath MUST be fresh and uncontaminated. Other than those two steps, it's almost impossible to screw up. The remaining steps are a "total" process-- as long as you don't "underdo" it, in time or temp, going OVER doesn't have any visible effect, within reason.....tolerances are something like 75-125 degrees F/ time should be at least reccomended, but even twice the reccomended time has little (visible) effect. So, keep the first dev. plus or minus five degrees, the reversal should be fresh, and take a "little" care with color developer... Conditioner/bleach/fix -- don't even worry about it.....go for the normal time/up to twice normal, no problem..... With C-41, it's even more tolerant, moreso than ANY b&w process. Develop 3 1/2 mins, 90-110 degrees, and B/F the hell out of it... And yes, of course we maintain tighter controls than this, but most of it's unnecessary. It's just simple in a dip/dunk system to standardize, with LARGE tanks that all stay plus or minus a degree, but it ain't necessary. In my own work, I'm MUCH more concerned with development of slow B&W film than my color stuff.....it's a lot more critical. BTW, if the stabilizer bothers your skin/sinuses, and if you DON't live in a fungus-prone area, just use very dilute photo-flo instead. We process thousands of rolls of E-6/C-41 a year, and I'll tell you the B&W (particularly slow films/minimal exposure) are MUCH more critical in the darkroom. BTW, the RA-4 printing process is also EXTREMELY forgiving, if you're into color prints at all. Unlike some of the other processes, you can do RA-4 in two trays at 80-100 F (90 sec each) and get GREAT home results......Don't even think about R-3, tho.......we have a small (20inch) processor and it's the biggest pain in the ass in the lab. Good luck and keep it up, Walt (as the Kodak-ees lose sleep worrying about all of this.......)