Archived posting to the Leica Users Group, 1998/12/07
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Bud You wrote: >>I have a problem with the raves about the XA's lens...It is a nicely made and compact camera. I just don't agree with you that the lens is all that great.<< I have an XA (w/A16 flash), and I couldn't agree more. The lens is pretty flat wide open. Not surprisingly, stopping down to f5.6-f8 improves contrast and corner resolution. Still, I'd rather use my Contax T2 at f2.8 than the XA at f5.6. The XA has been out of production for some time. I heard several years ago that parts were no longer available. If the meter goes the camera is useless. That's a more important consideration than lens quality, IMHO. Interesting about the XA, though. I have an 8X10 photograph hanging in my office that I took with the XA. Out of the dozen or so prints on display this one always generates the most interest. It's a landscape that I took in Colorado about 10-years-ago. What makes the photograph is the lighting. It was right at sunset (though the sun was behind me) in a warm Autumn day. The sky looks as though a polorizer was used, yet the land looks warm and serene. I've had experienced photographers beg to know what filtration I used. They're shocked to find out I didn't use any. Can't use filters on an XA, as you know. I didn't even use strange filtration when I printed it. It's a straight Ektar 125 print on Kodak Supra Paper. I mention this because it continually reminds me that the quality of light surpasses all else in the overall scheme of things. I have Leica, Hasselblad, Contax and 4X5 photographs next to this little Olympus print. But none generate the same amount of interest. Funny thing too; it was just a snapshot. Dave