Archived posting to the Leica Users Group, 1998/12/07
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]This is in answer to the questions (SAB) of Dave Rogers and Noel in regard to enlarger lenses. Before the Focotars, Leica provided the V-Elmar enlarging lenses, which were four element triplets. The Leica 50mm Elmar camera lens could also be used. The screw mount version could be attached directly, but the bayonet lens required a mounting adapter that attached to the bayonet of the lens tube with the lens in the collapsed position. The camera mounting bayonet was not used for mounting the lens on the enlarger. The 50mm Summicron camera lenses, both collapsible and rigid versions, can also be used with the proper adapters. All of these lenses can be used with autofocus. The camera lenses are an interesting alternative for making large scale prints. Worth a fun test sometime in the future! Anybody out there have an opinion or experience on this? There are three 50mm f4.5 Focotar lenses available for the Focomat 1C enlargers. The first has the lens specification writing on the face of the front flange, whereas the later two Focotars have the writing on the side of the lens tube. The first Focotar is a five element triplet optical design, and was available in 1973. I know, because I bought mine new then. The Second is a five element gauss design, with three elements before the diaphragm. It has larger diameter front and rear elements than the first and third designs. It is a Schneider lens. The third design is called the Focotar-2, and it is a six element Gauss design with three elements before and three elements after the diaphragm. The first Focotar is roughly equivalent in performance to the older Nikkor, but the Focotar-2 is superior to it and the first Focotar. I have never used the second Focotar from Schneider, and so I don't have an opinion about its performance. The Focotar-2 lens equals the latest Schneiders and Nikkors in resolution, but is markedly superior to them in the areas of color fringing and contrast. I am currently comparing and contrasting (pun intended) the performance of the Leica 40mm Focotar and the 50mm Focotar-2 lenses. Noel, you can get a copy of the Focomat 1C operating instructions from Leica, which tells you how to set up and adjust the autofocus. It requires adjustment of the cam, which is not difficult. I don't understand how your auto focusing could get out of alignment, unless the cam fastening screw is loose. I know that the first Focotar lens requires a spacer ring on the column to place the enlarger head the proper distance from the base or easel on the later Focomats. Also, the larger easel (30mm thick) also requires a 5mm spacer ring that, again, is placed on the enlarger column. The cam is easily adjusted, and if you don't want to wait for the Leica directions, you can contact me. The Focotars have a tendency to haze, but this can be 99% removed by Leica or DAG. DAG charged $50.00 three years ago. The Focotars are fine performers, and if your lens is in good shape otherwise, it is advisable to have the haze removed. I agree with you Dave about the Focomat 1C. It is easier to use than the V35 in terms of negative placement and adjustment in the negative stage, and the locking easel capability is an absolute necessity. The polished chrome and natural wood finishes are also classic. The V35 though is a superb instrument too. It offers auto focusing from 3X to 16X, and has interchangeable color, B&W, and multi-contrast filtration modules. It also features a quartz-Halogen light source, with its constant color temperature, and diffusion light head. The large base board is also nice. Ferrel Anderson