Archived posting to the Leica Users Group, 1998/11/26
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Eric- If you scan- and the correction is electronic (easy and immediate- instead of waiting 5 minutes for the prints to clear the processor) if you over exposed the film, you would certainly over expose the magenta and cyan sensitive layers, but you should get more information in the blue layer... The principle here is if the blue sensitive layer is NOT exposed, you can't add information to it by filtering later. IT is either there or not- BUT if the magenta and cyan is overexposed, it's easier to take out the excess information, balancing to the blue sensitive layer. I would say that you try the new superia films- they have a fourth layer like Reala and NPS and I have really been taken with the Superia 400. It should help in mixed light situations. Try overexposing a bit and then correct the scans and see if the bluish hazy cast and graininess diminish. It is of interest to note that fluorescent light is much easier to correct; it seems that the layers don't have a sharp cutoff response and the lack of red light in fluorescent is partly made up for by the red sensitive layer's partial sensitivity to the yellow spectrum of the light. Tungsten can be a real bear, especially since a lot of folks are using the commercial service bulbs rated at 130 volts. They last longer at 120 volts, but are really yellow. We got some here at home because they last so long, and when I tried to shoot to test a Summarit, I was surprised myself at how yellow the light was- almost red. Well so long for now! Dan dwpost@msn.com