Archived posting to the Leica Users Group, 1998/11/24
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Arturo, >>How is this lens?...had to choose between the 100 f2.8<< >>Macro, 90 f2, & the 80 f1.4.<< First & foremost, as a objective reference point, get Erwin's report; "Test report that ends all reports? dated Nov. 14th. It compares the 80 f1.4 with the 75 f1.4 (M), new 90 f2 apo & the 100 f2.8 macro. Now onto subjective usage comments. I've had this lens over a year & have used it under a wide variety of lighting conditions; from low light to noon-day sun. This lens is responsible for some of my most "beautiful" shots. It has a unique "character" in contrast to some of the latest lenses from Leica. Another discussion ;-)! That "character" ( bear with my subjective terms) seems to render portraits with a more "lifelike" feeling; i.e., hair is softer, overall facial tones literally "glow", & the eyes seem more alive. In addition, the OOF areas, relative to the in-focus areas, create an almost "impressionstic" background. In essence, with portraits, slides have an almost "painterly" effect. Balance & viewfinder brightness with the R8 make this combo a joy to work with in hand-held work. Needless to say,combined with the R8's optimal mass & low levels of mirror vibration, body shake is more the critical path for low light work. The 80f1.4 is a lens which justifies its ownership for handheld portrait work in difficult light. Buying the 100 f2.8 or the current 90 f2 would be for reasons other than discussed! My opinion ;-)! TomD.