Archived posting to the Leica Users Group, 1998/11/16
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]A comment has been made that Velvia is better than K'chrome because the resolution figure of V is higher than K (±160 versus ± 125). No doubt that the cited figure is put in the data sheets. Has it any relevance? No. I will as usual give a solid explanation why not. Film manufacturers produce data sheets with info about resolution. They give resolution figures for low (1:80) and high (1:1000) contrast targets. And they give an MTF graph. For optical analysis the resolution data are completely obsolete and so they should also be buried for film emulsions. Because of the same reasons. I do not have to recall these, as they are amply documented. Now look at the high contrast figure. What does it mean. The test pattern is the well known and much abused barline target: black and white lines of diminishing width per mm produce a test pattern of ever increasing spatial frequency. (more lines per mm). This target is illuminated in such a way that the luminance dofference between adjacnet black and white lines is 1:1000 or 10 stops contrast difference. This type of contrast you might encounter when taking a silhouet aganst blue sky. But than we have a low resolution target (only the silhouet line has the contrast figure). It is nay impossible to find in high res targets. Look at any picture you took the last decade and see if you can find a detail with very fine structures in it and ask yourself: do I see two adjacent very small object details that differ in luminance by more than 10 stops? You will not find any detail! So the high contrast figure is meaningless. If you are in need of a figure go for the low contrast value and now we see that V and K are identical. NO advantage for either one. Take a look at the MTF graph and now you see a big difference, The K graph tells you that from 1 to 20 lp.mm the MTF value is far above 100%! The same values for V are lower. So in the critical areas where sharpness is all there is the K wins. Why the threshold of 20 lp/mm. That is exact the value Leica lenses are calibrated for!! Why then is K for many purposes the better film: it is grain based where the V is dye cloud based. Recall that a dye cloud image is being generated by arificially restraining the growth of clumps of grain and replacing them by dye clouds of about the same dimension at about the same location. Note the vagueness here? A grain image is an exact replica of the optical image falling onto the emulsion. The dye cloud image is a chemical interpretation of this image. The capture of fine detail is better preserved with the grain based image and its 'hard' edges against the finer (smaller) dye cloud based image with the soft edges. This is same the reason why fine grain developers in fact kill fine detail and acutance developers enhance fine detail up to the limit of grain noise. Recall the Rodinal discussion? As in optical evaluation we must become accustomed to the fact that resolution figures are out and MTF graphs are in. Thats reality. Erwin