Archived posting to the Leica Users Group, 1998/11/05
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]At 10:21 PM 11/5/98 -0500, you wrote: > >correction causing problems in any sort of printing, could you eloborate? As >a printer, I can make great looking prints from either Kodak or Fuji >films...they'll look different of course, but most people wouldn't be able >to tell the difference unless you put them side by side... In scanning, a film that is shot in available light needs all the help it can get. One film seems to take to it like a duck to water. Fuji Superia 400. What a gorgeous film in mixed light! Florescent is ignored when there's a good amount of daylight coming in. I really have gotten to like it in the past few weeks of using it. But for some reason, the Kodak Multispeed (the 640 film) and the old Kodak 800 have a blue bias (some people think blue is purple and blue, cyan) that is nearly impossible to correct. But then our Kodak scanner hasn't got the specs. on the new film. I'll have to download it from the Kodak web site and then do some testing. When film has such a bias to one color, and you correct it, other colors get thrown out of whack. I will admit I'm pretty picky about my colors. We have some of the best reproduction for a newspaper in the midwest. And we're buying new presses to improve our reproduction! I have done very little color printing with conventional methods (cibachrome mostly) and find scanning a whole different process then printing. But I'm willing to give the new PJ800 a fair trial. I think it is very sharp, and fine grained for a film of its speed. Should do nicely with Leica lenses. If I can get the color under control. - -- Eric Welch St. Joseph, MO http://www.ponyexpress.net/~ewelch Capt'n! The spellchecker kinna take this abuse