Archived posting to the Leica Users Group, 1998/10/13
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Peter--The Leica M2 is a finely made camera, but better than the M6 from a user's point of view? You must be kidding; all the beautifully chromed and machined metal won't make up for the fact that it's awkward by comparison. > They forget (or never knew) that most of the >greatest pictures ever taken were taken with manual, unmetered cameras and >common materials. Cartier-Bresson, Gene Smith, Edward Weston, Paul Strand, >etc. These people used cameras that most photographic technophiles would >turn their noses up at. Screw mount Leicas, wooden 8x10's with clunky >shutters and uncoated lenses, etc. And they didn't need built-in meters >because they understood exposure. [snip] FWIW, a 1975 photo of HCB shows him with a Leica CL dangling from his neck; the others are dead. Jeff - -----Original Message----- From: Raven Visionary Arts <leonine@redshift.com> [snip] >I think Glenn Robinson has captured the Leica mystique beautifully in that >quote. So many cameras come and go. They have no personality, no identity. >Many have fancy features, which, when it comes to the basic technique of >photography, amount to nothing. And most do take good pictures, at least >from a technical point of view: they have sharp lenses, accurate shutters >and do manage to hold the film flat. But how many last? How many really help >the photographer to see into creation with the kind of power a real artist >needs to have? Only a handful. Personally, I wouldn't trade my M2 for an M6, >my unmetered Nikon F for an F5 or, for that matter, any other 35mm cameras. [snip] Frankly, I think it's tragic that Leica no longer >makes an "M" without a built-in meter. Do they think the only reason that >people have M2s, M3s & M4s is because they can't afford M6s?! Has it ever >occurred to them that perhaps the M2 is a purer, finer tool than the M6 and >that's why some people choose it? If Leica should do anything it should be >to remake the M2, precisely as it was made in 1959. (Of course, it would >cost twice as much as an M6 to make it as well as they made it then!) Of all >the great camera manufacturers, it seems that only Hasselblad understands >the value of manual cameras. >IMHO it's the beginners, the rich amateurs and >the hack pros who are so entranced with technology-in other words, the ones >with the least vision and the sloppiest technique. [snip] They forget (or never knew) that most of the >greatest pictures ever taken were taken with manual, unmetered cameras and >common materials. Cartier-Bresson, Gene Smith, Edward Weston, Paul Strand, >etc. These people used cameras that most photographic technophiles would >turn their noses up at. Screw mount Leicas, wooden 8x10's with clunky >shutters and uncoated lenses, etc. And they didn't need built-in meters >because they understood exposure. [snip]