Archived posting to the Leica Users Group, 1998/10/07
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Jim Brick wrote: >If you see any ofTed's M6 photographs, you'll understand what he is >saying. Likewise, you should look at Tina Manley's M6 photos, and >read Erwin Puts' article "King of the Night" in last months Photo >Techniques. The M6 is not flash friendly. And TTL didn't help. I have done all of the above. If you reread what I wrote, you'll see that I am almost in complete agreement with you! My only gripe is what I read as an implication by Ted that the use of artificial light in reportage is a sign of ineptitude. I did and do not agree with this! Here's what Ted said, and what I said, one more time: BEGIN QUOTE: >tedgrant@islandnet.com (Ted Grant) writes: >>When you use an M6, which is the ultimate of available natural light >>picture taking machines in the first place, then require flash, fill or >>otherwise, to take your pictures speaks of the lack of the photographer's >>ability to see light and make it work for him or her. Alexey Merz replied: >This seems really overboard to me. That the M is astonishingly >good for natural light work does not in _any_ way the it wrong >to use an M in situations where light is added. If your benchmark >for high quality editorial/reportage is the B/W work of the '30s >to the '60s, then it seems to me that one cannot exclude the work >of people like M. Bourke-White and W.E. Smith. Both of these >photographers produced work of the very highest standard using >artificial light. And while M. B-W tended to use TLR Rolleis, >Smith often worked in 35 mm. Put bluntly, it is presumptuous to say >that other people's technical decisions are incorrect or 'twinky'. > >That said, I just purchased a 'vanilla' M6 HM because I don't >often use flash in my own work (when I do, I use N**** FA or FE2), >and because I think that the TTLs are noticably bulkier (yes!) than >the M6, which is *just* small enough to disappear in my hands. >Furthermore, I think that the TTL metering is not enough of an >asset to justify mofification of the M body. A large new >feature set (including a modern shutter, as described by others >here) might justify such a change, but TTL alone does not, in my >opinion. > >However, to say that OTHERS should not use M series Leicas for >artificial light work is just silly. Just my $0.02. END QUOTE Again, I have the utmost respect for photographers - including Ted, and Tina, and Cartier-Bresson, and Salgado (and on and on!) - who use available light exclusively. And I nearly always use available light myself, in large measure because much of the joy that photography has for me comes from the *discovery* of pretty or interesting *ambient* light. I also don't enjoy carrying a lot of gear around - not least because I generally get around on foot, bicycle, or bus. But I can certainly imagine many situations where a serious photographer with different goals and methods might want TTL metering for use with an M. Ted apparently doesn't agree with me, and that's fine! He's an awesome photographer, and I value his opinions, even - especially - when I don't agree. Regards, Alexey .......................................................................... Alexey Merz | URL: http://www.webcom.com/alexey | email: alexey@webcom.com | PGP public key: http://pgp5.ai.mit.edu/ | voice:503/494-6840