Archived posting to the Leica Users Group, 1998/07/29
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Jim Laurel wrote: > There is something very special about the M system. I don't know whether > it's the excellence of the lenses, the accuracy of the rangefinder focusing > system, or the fact that the camera ha such low vibration. I'm sure it's a > combination of all three. But I am not able to reproduce the quality of > images that I get consistently from the M6s with any other camera system, > INCLUDING Leica R. I find that I am often (by no means always, maybe not usually) able to tell whenther a particular photographer uses Leica M gear, but I strongly suspect that this has more to do with the quality of the image than with image quality. That is to say, I think that the M promotes a particular flavor of seeing & composition. William Albert Allard's work provides one set of examples; Susan Meiselas's work from Nicaragua provides another. Certainly my father's family photos declined in quality when he switched from Leica M to Pentax SLR, although this was probably due to the fact that he had used the M3 for so long that no other camera was as intuitive for him. I can't tell which brand of camera an SLR photographer uses by looking at the frames. Do y'all *really* think Galen Rowell's or Frans Lanting's images would have more impact, if only they would use Leica SLRs? I don't. .......................................................................... Alexey Merz | URL: http://www.webcom.com/alexey | email: alexey@webcom.com | PGP public key: http://pgp5.ai.mit.edu/ | voice:503/494-6840