Archived posting to the Leica Users Group, 1998/06/30
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Tom wrote: >It is not a 'test' in so far that we do not use charts, optical benches, >micro >contrast analysis or anything more radical than film and cameras. May I add that all my tests of Leica lenses are conducted using benches, graphs and numbers, sure. That gives them a much needed objectivity. I also take all lenses through a controlled set of real life subjects and lightning situations, using low speed transparancy and low/high speed B&W. Using both methods in a complementary way, I can notice if, and when, where the optical bench, MTF graph etc differ from the film results. Or more common where the optical bench tells you that differences should exist, where practical shooting fails to show them. Then I can revise my test in order to make these differences visible. In this way, my technique improves and, quite uniquely I think, can show the high level of progress made in the last 10 years, which in normal shooting situations will not always be detected. The TriElmar is a case here. I have now read some tests in European magazines, including FotoMagazin, which give a so-so or a good mark. Most are little uninspired or lacklustre and fail to remark on the truly outstanding characteristics of this lens. I only could reveal the real imaging power of this lens after some study of the bench test figures and conduct some appropriate practical testing. It is the same as with highend audio apparatus. You need really demanding music recordings in order to show/hear the fine differences in the sounds from the speakers. Erwin