Archived posting to the Leica Users Group, 1998/06/08
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Jorg Willems wrote: > > Poor girl does an excellent job but is scared to death about that day when > she, or the camera, or the lab, or what else screws up. > Anybody on the LUG that could give her some good tips how to cope with the > stress? 1. Camera: Check the flash sync repeatedly during lulls in the action (or during every reload). The only spectacular failure I've seen during a wedding was when the photographer's sync went down and he didn't realize it. The flash kept flashing, but there was no light on the film. There but for the grace of God go you or I. 2. Lab: Build a relationship with a local professional lab that already has a good reputation. One trick for the truly safety conscious is to number the rolls, and to give the film to the lab in two batches - one with the odd-numbered rolls, one with the evens. Give each batch to the lab on a different day. 3. Personal: Have a shot list, and check it regularly. Especially during the early days, this will ensure that nothing is missed. This is the same principle as a pilot's checklist. Later on the list will get so ingrained that it becomes superfluous. This is both a good thing and a bad thing. But the only thing that really helps is experience. Unfortunately, I found that when the nerves and stress go away, the boredom and ennui move in to fill the vacuum... Weddings are utterly banal events that must be covered perfectly, every time, with style, grace, wit and artistry. I have nothing but respect for people who can do that for any length of time! Paul Chefurka