Archived posting to the Leica Users Group, 1998/02/14
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Tack sharpness is in the eye of the beholder. Many times, with a shallow depth of field, and the edge of something critically sharp, it looks *sharper* because it's the only thing sharp. There also must be contrast between the sharp and the unsharp. It also depends upon the final image. is it a 4x6 or a 16x20, or a 10x loupe and light box. Everything is relative. For the first 30 years of my life I shot (rifle) competitively. I learned breathing, squeezing between heartbeats, etc. When hand holding a camera (very rarely with my R Leicas, but always with my M2) my shooting experience pays off. However, there is a limit. R cameras have a mirror that simply causes vibration. It's a fact of motion physics. So there is a limit to how slow you can realistically hold an R camera. The M camera has very little built-in vibration so a skilled photographer can do quite well. But... it's still relative. Relative to what you or your client will accept. When I print a 16x20 or 20x24, I want it to *jump* off of the paper. But of course, the subject matter plays an important part of sharpness. Nature, close-ups, leaves, flowers, etc should be crispy sharp. Street scenes, night scenes, mood scenes, vista landscapes, etc, can be less sharp and still look visually perfect. So I do not believe you can define what is critical sharpness, broad spectrum, for everybody. Everyone photographs different subjects. Everybody uses the results differently. From family albums to Gallery hangings. Who can hand hold a camera down to 1/who-cares(th) of a second is not a realistic endeavor. Who cares. In the final analysis, you only have to satisfy yourself. So if you say that you can hand hold your camera consistantly at 1 sec exposure, that tells us a lot about what your sharpness acceptance level is. Jim